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A Tale of Two Sisters: A Review of Sense & Sensibility (2023)
Ang Lee’s 1995 adaptation of Jane Austen’s classic novel, Sense & Sensibility, is a visually stunning and well-acted period piece. The story follows the Dashwood sisters, Elinor (Emma Thompson) and Marianne (Kate Winslet), after the death of their father leaves them financially destitute. Forced to navigate the rigid social hierarchy of 18th-century England, the film masterfully portrays the societal constraints placed upon women, particularly when it comes to love and marriage.
One of the film’s greatest strengths is its exploration of the power of money. The Dashwood sisters’ loss of inheritance creates a stark division between them and their former social circle. This financial hardship becomes a constant obstacle to finding love, particularly for Marianne, whose passionate nature clashes with the realities of social expectations. The film doesn’t shy away from portraying the heartbreak that arises when societal pressures prevent true love from blossoming.
However, a point worth noting is the film’s portrayal of love stories. While the central conflict revolves around the societal restrictions placed on love, the narrative primarily focuses on Marianne’s passionate (and often reckless) pursuit of love with Willoughby (Greg Wise). Elinor’s own love story, with Edward Ferrars (Hugh Grant), feels underdeveloped. The audience learns Edward is already entangled with another woman, Lucy (Imogen Stubbs), for 4 years, and risked it all to be with her. Despite the clear affection between Elinor and Edward, their eventual union feels implausible, it felt like a rather convenient resolution. This, for me, weakens the overall impact of their love story.
Another refreshing aspect of the film is its lack of racial bias in its casting. Unlike many period dramas, Sense & Sensibility presents a diverse supporting cast, reflecting a more fictional portrayal of how 18th-century society should have been.
While Sense & Sensibility boasts beautiful costumes, witty dialogue, and strong performances, the uneven focus on the central love stories left me doubting. For that reason, I give the film a 5 out of 10. Despite this, it remains a captivating exploration of love, societal pressures, and the enduring strength of sisterhood.
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One response to “A Tale of Two Sisters: A Review of Sense & Sensibility (2023)”
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what do you think about the sisters?
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